“...an infectious collection that highlights not only their songwriting chops but also their graceful harmonies... Stroup is the Tammi Terrell to Dabbs’ Marvin Gaye, the Carla Thomas to his Otis Redding...”
— Paste Magazine
“This Nashville duo’s sultry garage rock comes in like a lion, thanks to fuzzy guitars and Amy Stroup’s salted-caramel voice.”
— Marie Claire
“Introducing the First Sweet Musical Treat of 2012: Sugar + the Hi-lows ...will put you in the proper mood, especially after repeated listens to this addictive album, which has style and substance. ”
“The duo’s self-titled debut won’t be released until February 14th, otherwise it would be a last minute addition to my best of the year list. This brilliant collection of songs beautifully marries modern indie-pop with with retro rockabilly and soul.”
“There’s a whole lot of shaking going on with the pair’s self-titled debut, a short, breezy collection of rockabilly, throwback pop, Motown, and jump blues.”
— American Songwriter
“Remember when music used to be fun? When artists were more concerned about loving what they were doing than about landing he next big commercial spot? A musician could focus on what they truly loved and made them happy, not what some suit said was best. It’s a very rare thing to find these days, so I figured I would save you some time looking, and introduce you to Sugar + the Hi-Lows.”
“Sugar + the Hi-Lows just might be the next breakout band to capture the nation’s imagination.”
— All Music Guide
“Nashvillian songwriters Trent Dabbs & Amy Stroup set the way-back machine to the late 50’s, early 60’s days of classic pop for their new, pitch perfect and shiny satin side project”
— Relevant Magazine
“...the duo knows how to lay just the right amount of the shimmy and sway into their country-tinted rock. Lighthearted on top but not without a heavy retro groove underneath, their forthcoming self-titled debut album channels a sound from the ’50s and ’60s by way of crisp execution.”
— Buzzbands LA
“From the varied musical selections to the catchy wordplay, these two definitely know how to groove… By the time you get through the foot-stomping, hand-clapping, saloon-style rocking finale, “Skip the Line,” you should have a grin on your face”
— Glide Magazine
“Standouts on the self-titled album include opener ‘Show and Tell’, ‘Two Day High’, and ‘This Can’t Be the Last Time.’”